Remember when today’s middle-aged working stiffs were once young Generation X-types who were wearing ironic T-shirts reading “FREAK” or “LOSER,” words that mirrored their grunge-centric ennui? Then there was one band who made that pervading nihilism even more stylish by rocking black shirts with the word “zero” in silver glitter. But while the z-word has the capacity to taint test scores, bank balances and attempts at self-actualization in ways no other common integer can, it does represent more positive ideals. Consider the terminology used by project managers to herald the beginning of a big project: Year Zero. What’s the numerical equivalent used when someone uses the metaphor of “hitting the reset button” on their lives and/or careers? That’s right: zero.
For the members of Hawthorne Heights, the word (or number) isn’t the providence of losers, nor a bastion of stylish disconnection. Zero, the fifth album from the Dayton, Ohio, outfit, represents a positively incandescent future. Now aligning themselves with Red River Entertainment, Hawthorne Heights—singer/guitarist JT Woodruff, guitarists Micah Carli and Mark McMillion, bassist Matt Ridenour and drummer Eron Bucciarelli—are rising above their post-hardcore roots in ambitious measures. Overseen by producer Brian Virtue, Zero marks a wider breadth of the band’s capacity to create compelling work, regardless of the social implications found in certain music subcultures. (Translation: Team HH tossed the punk-rock rulebook into a wood chipper.)
“When people hear Zero, they’re going to be hearing a new band,” Eron Bucciarelli beams. “What we’re trying to accomplish is to reinvent ourselves and not be so attached to our history. I think there are elements of Zero that pay homage to Hawthorne Heights’ past, that we should by no means attempt to ignore. To a certain degree, we are the same people that wrote The Silence In Black And White. We’re just older now.”
Since forming in a working class suburb of Chicago in 1995, Mest have been tearing up the punk rock scene. Playing in local Chicago punk clubs, the group self-released their debut album, “Mo’ Money, Mo’ 40’z”. The band got their first real break when frontman Tony Lovato sent the band’s album to Goldfinger’s John Feldmann who helped them get signed to Maverick Records, and produced their major-label debut, “Wasting Time”, which was released in July 2000. Since then the band has released 3 more albums on Maverick — 2001’s “Destination Unknown”, 2003’s self-titled disc, and 2005’s “Photographs”– and toured the world as part of the Warped Tour.
The Ataris are four friends creating words and music in the basements and dive bars of the world, while young souls pile into the microphone and spill beer into our effects pedals.
Honest stories and organic sounds, chock full of heart, sincerity and beautiful mistakes. Played loud and recorded to analog tape.
Sixteen years of traveling the world, several broken down vans and five full length studio albums. The Ataris album “So Long, Astoria” included the tracks “In This Diary” and “The Saddest Song” and sold upwards of 850,000 copies earning the band it’s first gold record.